I've never made anything viral before

At this time of writing, this Vine now has 540,000+ loops and 19,000+ notes on tumblr... and my life is pretty much exactly the same. It's so exciting -- the numbers are so big! On the other hand, they're just numbers.

Postcards from: "Discipline and Punish"

Here are some work in progress images / footage for "Discipline and Punish", a BDSM spanking game using the Leap Motion. It'll also go into questions of consent, and it'll be mildly educational for those who know nothing about BDSM culture. Character model by Kris Hammes, character shader by James O'Hare.

On branching dialog editors and narrative design tools

I was prototyping a game concept with branching dialogs for conversations and/or CYOA story events, so I started looking at various solutions on the Unity Asset Store. Dialoguer looked the most decent, but generally all of them just made too many assumptions or enforced bad workflows, and seemed to ignore what made Twine so accessible.

So I've decided to make "Bramble", my own editor plug-in and system for Unity! Here are some factors in its design:

Notes on working with Source SDK 2013 Singleplayer Base

I've been working with Source SDK 2013 base for the past few months, and I thought I'd share some notes on workflow for any future modders who google to this post:

• If you are making a simple mod that uses default Half-Life 2 features, then you do NOT have to compile your own binaries. You can just tell Steam to use the ones that come pre-compiled by Valve from the already included "sourcetest" mod instead. Steam automatically downloads the correct binaries for the client's platform when they download the Source SDK 2013 Base -- which means you presumably get free and painless Windows / OSX / Linux support, as well as any new changes Valve merges into the codebase... As far as I can tell, most of the basic Half-Life 2 entities work in sourcetest, though env_screeneffect seem to be broken due to some missing shaders.

Indiecade East 2015, February 13-15 at the Museum of the Moving Image, New York City

Indiecade East is back for another year in beautiful snow-filled New York City, and they are looking for talk proposals from new (as well as old, I imagine) voices in the community! You have until November 10th (that's about 3 weeks) to get your submission in:

If you have something new to say about / for / from independent game making, and you can encapsulate it in a 20-minute talk, we want to hear from you! Everyone is welcome, regardless of experience, visibility, etc.

We are particularly interested in these topics:
- Diversity in Audience, Diversity in Creators: Playing and making games is not the exclusive domain of a privileged few -- games are for everyone, and anyone should be able to make them.
- Indie Games’ Second Wave: Indie games have been around long enough that there are old-timers and newcomers. Who are the new generation of creators trying to break through in a different landscape?
- The Other Indies: There are many people making interactive art not traditionally thought of as indie games, from modders to interactive fiction writers. How do they enrich the world of indie games?
- Storytelling in Indie Games: Independent games are one of the spaces where narratives experiment with new forms and topics. What exciting new work or unappreciated old work is being done in this area?

"Quality product": on Jagged Alliance 2 by Darius Kazemi

Much like Anna Anthropy's study of ZZT, Darius Kazemi's study of Jagged Alliance 2 for Boss Fight Books is a quick read but feels very comprehensive, analyzing the game in a holistic interdisciplinary cross-section across history, anthropology, politics, and computer science.

Unlike Anna, Darius adopts a much more academic tone, and rarely inserts himself into his own narrative. And while the result is a convincing, well-written, and well-researched book, it ends up falling prey to certain weaknesses that were irrelevant to Anna's book... which fascinates me, because I want to write my own book on Half-Life 1 that somehow blends both of their sensibilities.

QGCon 2014, October 25-26 in Berkeley, California

Hey, the excellent Queerness and Games Conference ("QGCon") is running again this year, and you should go! I had a pretty good time in 2013, where I presented "Queering Game Development," a critical code study of "FeministWhore" and the politics of code (I'm still working on the final essay / paper, oops) -- and I probably would've gone this year if I weren't consciously trying to lay low and try to finish stuff instead of jetting-off to conferences all the time...

... But that doesn't mean you shouldn't go! If you are going to be in the Bay Area on October 25 and/or 26, you should definitely check out QGCon at UC Berkeley. There's a bunch of really great speakers this year. So sign-up, it's free to attend! Have enough fun for the both of us.

Introducing: Mural (v0.2) a simple 3D scribbling tool

EDIT: v0.21 adds .OBJ export from the webplayer; you can now actually use this to make models and import it into whatever you want. (If you want to use this in Unity, you will need to apply a material / shader that uses vertex colors and doesn't cull backfaces, so pretty much any of the "Particle" shaders)

There are 2 common modes in 3D polygonal modeling: vertex manipulation and sculpting. But for many of these workflows, a 3D mass exists mostly as a surface to be unwrapped and painted. If all we need is a 3D canvas to paint upon, why can't we just go straight to the painting part?

"Mural" is an experimental freehand 3D modeling tool similar to SketchUp's "Freehand" tool or the impressive Tilt Brush, except SketchUp imagines it more as a tracing aid and Tilt Brush relies on VR hardware and doesn't readily export geometry.

I want to make Mural as an accessible 3D tool that borrows game UI metaphors (specifically, first person mouselook) and directly exports the resulting 3D models for use in games, or anything, really. Many of the models made in Mural will not look like "traditionally" modelled 3D objects, and intentionally embrace glitchy non-representational aesthetics, twisted normals, vertex colors, and z-sorting artifacts. If it hasn't already occurred, I imagine the "politics of 3D" will shift to embrace these phenomena as artistic features rather than aesthetic flaws.

(I am also indebted to Rich Edwards' early research with "3d concepts" using semi-transparent planes.)

CHANGELOG
v0.22

• decoupled canvas movement from painting (thanks for suggestion @Dewb) so you can now move the painting surface WHILE painting

v0.21

• added simple .OBJ export for webplayer; press F12 to save a .OBJ to your computer

v0.20

• fixed stroke shader, colors now render properly
• added a color picker hue / saturation circle, adapted from code in UnityPaint
• replaced line renderers with generated meshes from Vectorosity
• added .OBJ export
• added very basic undo support (press [Z] to delete most recent stroke(s) )

WEBPLAYER (v0.22): http://dl.dropboxusercontent.com/u/19887116/mural_web/mural_web.html

FUTURE DIRECTIONS FOR MURAL: make it into a complete 3D world maker / game maker; add cooperative modelling / network multiplayer session support; better painting tools and interface; add file-writing and OBJ export in webplayer via JS hooks