American Choppers debate the arches in a sewer level from Half-Life 2

This happened last night. I'm so so sorry.

⚡️I unrolled the full thread for the “Half-Life 2 arch debate” so it's easier to follow along... also, I'm definitely Paul Sr, just sayin'https://t.co/EB10LqKUtc

— Robert Yang (@radiatoryang) April 8, 2018

I don't have the time to actually fit this into the American Choppers meme template... but at any rate, I'm clearly Paul Sr., because I'm clearly right and I also deserve the last word!

Full tweet thread embed (what Twitter calls a "moment") is below:

A call for video game neorealism

Bicycle Thieves (1948)

This is adapted from a spur-of-the-moment Lost Levels 2018 talk.

In video games, we understand realism as meaning photorealism: a hyper-real commercial aesthetic that's cynically detached from politics, emotion, and reality. Photorealism is also about escalating the video game value system, where high production AAA games are generally seen as more "immersive" and well-crafted than something that's less photorealistic. These are supposedly the videogamiest video games.

But outside of video game aesthetics, realism means much more. There's a centuries old tradition of literary realism, that sought to plunge the reader in the banal moments of everyday life. Social realism was a movement to paint more of the poor and working class, while socialist realism was a state-sponsored hyper-heroic style about personifying socialist thought. And today, we arguably live in an era of capitalist realism, where art and culture cannot imagine a world outside of capitalism. Reality is not a fixed thing -- there is not one realism, but many realisms, and each realism has a different type of commitment to reality.

So to imagine a world outside of photorealism, I'd like to build-off of another historical moment in realism -- and that is (Italian) neorealism in film.

GDC 2018: How To Light A Level, slides and transcript

This post is aimed at beginner / intermediate designers. It's a summary of the talk I gave at the GDC 2018 Level Design Workshop with David Shaver (Naughty Dog) for the "Invisible Intuition" double-feature session.

David's slides on blockmesh / layout are here (PDF) with case studies from The Last of Us / Uncharted. You can also get my full slide deck PDF here, and my speaker notes PDF here... but I don't know when GDC will upload the talk to YouTube, sorry.

A very brief and simple history of light starts with the sun. Then let's not forget about fire, controlled burning in gas lamps, incandescent light bulbs with a filament... and these days, there’s a stronger focus on more energy-efficient fluorescent lights, and LED lighting is also becoming more common.

It’s tempting to think of this as a story about technology and progress and older light sources becoming obsolete... but the light bulb did not make the sun obsolete, and the LED does not make fire obsolete! We still use fire as a light source all the time -- in our birthday candles, in our campfires, in our romantic candle-lit dinners -- in fact, I hate those little fake flickering LED candles, because a real flame has a unique quality to it, you know?

Fire hasn’t disappeared from the world, but rather our culture around fire has changed. That is, fire used to be a common and practical tasklight in Shakespeare's time, but now it feels more like special decoration for a special occasion. As a designer, you need to sensitize yourself to how light feels and conveys these ideas, because this is how you communicate those moods to the player.

Interview with merritt k for MEL Magazine

merritt k kindly interviewed me for MEL Magazine, a publication which covers culture "from a male point of view" but also seems to employ a fair amount of not-men? Anyway, the discussion mostly focused on video game culture and masculinity. I argue that video game masculinity missed a few developmental steps, and I'm dutifully trying to plug that hole with my work. Here's an excerpt of my tirade:

[...] I bring it up because I think the game industry’s anti-sex stance means we never figured out the equivalent of teenage sex comedy games — so game masculinity jumped from a love of cruel mindless violence to a stilted masculinity about being a Cool Dad who raises their daughter to be a Cool Girl, which is totally unearned, right? Video games cannot continue to repress this whole “sexual anxiety” part of masculinity and growing up. Fuck that shit! You don’t get to reconcile with feminism until you actually put the work in.

Feel free to read the rest of the interview, I'm told I say some good words in it. Thanks to merritt for the thoughtful questioning.