Showing posts with label skyrim. Show all posts
Showing posts with label skyrim. Show all posts

Wednesday, November 3, 2021

The Forgotten City (2021) revisited

I've written previously about murder in Skyrim, epic Skyrim fan game Enderal, and a very bushy Skyrim mod called The Forgotten City. Since then, the mod makers have remade it into a UE4 standalone time loop first person RPG called... The Forgotten City (2021)

From a game dev perspective, it's been fascinating to play. They had to rebuild Skyrim systems in Unreal... but what to cut and what to recreate? In this post, I compare and contrast the original and this modern remake from a dev / design perspective.

DISCLAIMER: I played the original mod and remembered much of it, so a total newcomer's experience would probably be different. Or maybe it wouldn't? Who knows.

SPOILER WARNING: this post spoils much of what happens in The Forgotten City (2021).

Wednesday, May 5, 2021

Open world RPG design notes from Enderal, a big long Skyrim mod

I'm playing a giant Skyrim "total conversion" mod called Enderal. It does a lot of interesting things but also less-than-good things. I'm told it's inspired a bit by the Gothic series, which I've never played, so maybe a lot of my observations are more about Gothic than Enderal? 

Be warned that some of the screenshots are a bit spoilery (e.g. there's a tropical biome!) and my notes are obviously going to spoil some of the game's structure, but all these spoilers are pretty vague and anyway I don't name any names.

Anyway, here's my notes... 

Friday, June 29, 2018

The Forgotten City (Skyrim mod) as dense quest


This post kind of spoils (but not really) some of the Skyrim quest mod The Forgotten City.

Bethesda open world RPG games have developed certain quest tropes. One trope is the conflicting stories quests like Two Sides of the Coin (Oblivion), In My Time of Need (Skyrim), and A Business Proposition (Elder Scrolls Online) which present two NPCs with conflicting stories and no real way to discern who is right, so you just have to pick a side and hope you feel good about it. Naturally, this provokes heated debates among fans, such as this epic two year 500+ post multi-thread argument about which NPC was ultimately truthful in Skyrim.

I heard about the popular Skyrim mod The Forgotten City after their E3 2018 retail remake announcement. After playing it, I think The Forgotten City exists within a different open world quest tradition of complex "dense quests" with many characters and possibilities in a small space. It reminds me a bit of Whodunit (Oblivion), Tenpenny Towers (Fallout 3), Beyond the Beef (Fallout New Vegas), and Diamond City Blues (Fallout 4)... the retail version of Skyrim conspicuously doesn't have any comparable dense quest, so The Forgotten City sort of fills this gap.

Saturday, March 23, 2013

"You sleep rather soundly for a murderer": on murder systems and destabilizing virtual societies.


In many video games, you must kill stuff all the time, and quite frequently. Killing becomes the environment. It is so pervasive that killing becomes the context for something else -- clicking on a soldier's face rapidly enough to demonstrate mouse dexterity, or chaining together different button presses to make combos, or optimizing your stats to make a big number even bigger, or carefully managing various bars before they deplete. The killing is rarely about the killing. (Which makes you wonder why we need to wrap it in the narrative of killing.)

During an Elder Scrolls game, you will likely kill thousands of things. However, all of those killings are sanctioned by the NPCs in the game: you are killing monsters outside of cities and villages. Their deaths don't matter -- more will respawn to take their place, or maybe the game will delete them to free-up memory when you wander away far enough. They exist only to be killed. They are domesticated and farmed.

The Dark Brotherhood questlines in Elder Scrolls games, then, are one of the few instances in games that really focus on killing as killing. Specifically, it frames murder as a deeply anti-societal, anti-social, transgressive act, and explores the philosophy required to justify it. At it's best, it's also deeply systemic.

Wednesday, February 1, 2012

Skyrim, Steam Workshop, and the means of mod distribution



Auto-updating Skyrim mods sound amazing to me, but you have to wonder what will happen to the existing infrastructure; this move is extremely disruptive. Will Skyrim Nexus become a ghetto of unlicensed content / adult mods? ModDB will miss out on this entirely too. Sure, they'll say Steam Workshop is "optional" -- but if all the best mods are auto-updated with one-click installation, the player base will move and it won't really be optional anymore.

As Bethesda moves to weaponize mods like no one else before, and assumes an Apple-ish App Store relationship to its games and peoples' mods, you have to wonder what the effect of oversight and censorship will be.

Can your Steam account get banned from the Steam Workshop? If you make works that are critical of Bethesda's practices, can they just ban and silence you forever? Will there be room for LGBTQ-themed content or will it be institutionally repressed, as on the App Store? What if people start harassing your Steam account because you made a mod they didn't like? Is this more than an attempt to make sure they don't have another nudity-mod ESRB scandal that rocked Oblivion?

That isn't to say Skyrim Nexus doesn't police / censor their content too, but they certainly had a lot less to lose.

Game mods, like all games, can be used as political forms of speech. It's always a little spooky when someone decides to change the means of distributing that speech. We might not realize what we've lost, if anything, until it's gone.

Maybe everything will be fine and it'll be a new golden age of mods... or maybe we'll be setting up tents to occupy the Steam Workshop one day. What could be paradise here and now could just as easily become hell itself.