Showing posts with label tv. Show all posts
Showing posts with label tv. Show all posts

Thursday, May 16, 2019

Capsule reviews, vol. 1


Capsule reviews are short critiques of games that I've been playing. In this post, I discuss Heaven's Vault, Virginia, Islanders, and Two Point Hospital. There's no specific story spoilers, but I do talk about how I think the games work.

Heaven's Vault. The dynamic branching and language system is great and impressive, and the Muslim-inflected sci-fi art direction feels fresh. It's basically a must-play for anyone interested in narrative design. (Maybe the main weakness is the less-than-relatable characters, who basically feel like vehicles to bring about plot beats. Which is probably how the narrative system works! Hmm.)

The game pacing feels awkward for much of the game. You get to do one fun archaeological linguistics detective scene every hour, but to get there, you have to sit through an uncomfortable water slide mini-game. It's meant to give a sense of journey and a bit of rest (as well as pad out the game length) but it's a bad sign when even the fast travel options here feel inconsistent and confusing; sometimes the game lets you go back to your ship cabin to ask for fast travel, and sometimes not.

But also just on a core minute-to-minute basis, the movement and camera never felt comfortable for me, and The Last Express styled character animation never stopped feeling like a crutch for scoping down production costs. It's interesting how this project made so much (very impressive) progress on "hard" game design problems like dynamic narrative or language simulation, but then tripped on what's considered relatively "easy" solved design problems like 3D character movement, game feel, or encounter pacing.

Again, though, I still think this is a must-play for anyone working in narrative. Just soldier through the less fluent parts.

Friday, June 9, 2017

On that one brilliant episode of Murder She Wrote that thinks VR is kind of bullshit


Murder She Wrote was a long running TV show about an elderly mystery novelist (played by Dame Angela Lansbury) who happens to solve all these murders wherever she goes. Like other long-running TV shows on CBS about older women having adventures, it was popular mostly with grandmothers and gay men -- which is why it's so surprising (or maybe unsurprising?) that it also had one of the most accurate on-point less-rosy depictions of 1990s VR on television.

If you want to know more about the episode "A Virtual Murder" (S10 E05), read Laura Hudson's full write-up for Wired.

If you're in a hurry, here's a brief synopsis, along with my short analysis... but first, please enjoy this GIF of someone (spoiler) shooting a guy in a VR headset:

Wednesday, November 10, 2010

Legends of the Hidden Temple, the greatest children's game show about video games ever created


If you were a middle-class adolescent growing up in America in the 1990s, you probably had cable television -- and if you liked games, you probably watched episodes of "Legends of the Hidden Temple" on Nickelodeon.

It was the greatest children's game show ever. And it was all about platformer level design.

Lesser game shows, like the regrettable "Nick Arcade," directly referenced video games with a predictably bland execution / green screen foolishness. Boooring. (Although this clip is pretty funny.) In contrast, Legends leveraged the genre of children's game shows to make something special. It didn't try to be anything else.

Legends had it all: a relatively unique (and now, hilarious) narrative that glorified cultural imperialism, frustrating in-game tragedies that made you yell at the screen, the real-world fidelity of good set design -- and perhaps most memorably, the excellent pacing that led up to the climactic "Temple Run" at the end of each episode...