|Salvador Dali, "Modern Rhapsody"|
Sunday, January 25, 2015
Monday, January 19, 2015
Plus, making animated GIFs of your games and work process is fun!... and uh making videos is still a little painful, though it's a bit of a necessity for any news media or publications to talk about your game. It used to be much worse, if that's any solace? (It's probably not.)
Friday, January 16, 2015
Different Games is a fantastic games conference running again in New York City on April 3-4 2015, geared toward diversity and inclusion, and they are actively soliciting game submissions and session proposals due by February 1st. Academics and non-academics, indie and not-indie, cisgender or trans or nonbinary, all are invited and encouraged to participate.
The three suggested tracks are:
Arcade: Designers interested in showcasing their game in the Different Games arcade should submit a brief overview of their game (no more than 500 words) that includes their design vision and concept of the game. In addition, please submit cover art and one or two screenshots of game play. We welcome pieces that will be in (beta) or play-testing phase as well as those further along in the development process.What are you waiting for? Hurry and submit! I'll be there too, presenting a bunch of games featuring photorealistic gay dudes, as part of the Different Games NEA artist grant. See you there!
Paper Presentations and Talks: We invite academics and creative minds alike to share recent work (written or otherwise) as speakers on our conference panels. We encourage participants from every field to submit writing or talks exploring topics pertaining to diversity and inclusion. Possible topics may include, but are not limited to: post mortems, design methodology, reflections on playtesting, analysis/commentary on games content (theme, gender, sexuality, etc.), game reception, and game culture/communities.
Breakout or Workshop Sessions: Topic-related discussions or those exploring challenges and solutions to promoting diversity and inclusion in the broader game community/communities and other pertinent subjects AND hands-on workshop sessions geared towards learning design and development skills are both invited (Your proposal should include an explanation of any equipment participants need to experience your workshop.) If your session will be facilitated collaboratively please include bios and links for all participants.
Tuesday, January 13, 2015
This post discusses my game Succulent and it completely spoils the ending, if you care about stuff like that. You should probably play it first.
There's a few scenes in the film Inherent Vice where you watch a man eat a frozen banana. They were unusually entertaining and not at all arousing, which got me thinking -- what if I made a game where you just watch a dude stick stuff in his mouth?
So for Succulent, I've put a fair amount of work into making this interaction feel "juicy", hooking it into particles, sounds, facial animations and "cheek physics"... here, the physicality of having his own arm do it, instead of a floating disembodied invisible player hand, was crucial to establish that he was doing it for himself and enjoying it. Inverse kinematics was finally good for something!
I borrow a lot of visual sensibilities from late period "homo hop" music videos, specifically those by Cazwell and Le1f. Both artists emphasize sweaty bodies glaring vacantly, bright backgrounds with intense lighting, and flat compositions focused on the center, evoking the go-go boy gay club / pin-up imagery that's thoroughly ingrained in US gay male culture.
Monday, January 12, 2015
At Chevy Ray's insistence, I have started a tumblr at radiatoryang.tumblr.com. At the moment it is devoted to surreal screenshots, WIP images, glitches, random game dev stuff. Please re-blog or re-tumbl me or whatever! Thanks bye.
Thursday, January 8, 2015
two three games events this season. Hangout with me! Here's my schedule currently:
- Indiecade East 2015, Feb 13-15 in New York City. I'm giving a talk about dominant workflow patterns in game development, and how new (and often experimental) tools can shake-up our workflow and help us re-think our processes and possibly result in new kinds of games. I intend to live-demo most of these tools. Hopefully I won't fuck it up!
- Game Developer Conference 2015, Mar 2-6 in San Francisco. I'm giving a talk about contemporary level design in relation to modern and postmodern architecture theory. I feel like a lot of level designers know they should pay lip service to architecture but when was the last time they actually looked at a real-life building with a critical eye? How was that building made? This is a discipline that's been around since the beginning of recorded history, I think it might have a thing or two to teach us, call it a hunch.
- Different Games 2015, Apr 3-4 in New York City. A fantastic diversity-focused games conference. I'm part of the NEA artist grant disbursed last year, so I'll be presenting on my triad of sexy gay games: Hurt Me Plenty, Cheek to Cheek, and Succulent.
I'm also waiting to hear back from a few other things. Watch this space for updates! Or don't, that's cool too! PS: have people been playing The Talos Principle lately? I have a lot of mixed feelings about it. Might write a post about it.
Monday, January 5, 2015
I'm making a small Thief-like with integrated level editor (3rd time's the charm!) to test (and teach myself) four (4) main feature-sets of the Unity 5 beta -- physically-based shading, integrated image-based lighting, real-time global illumination, and the UI system introduced late in Unity 4.6 but might as well have shipped in Unity 5. Here's my opinion so far:
Saturday, December 27, 2014
This is adapted from the talk I gave at NYU Poly about my free spanking game Hurt Me Plenty. It kind of "spoils" it a little, if you care about that sort of thing, so I recommend you play it before reading this post... Or watch Pewdiepie play it, I guess.
You can imagine Hurt Me Plenty with its realistic representational graphics as a critique of the sex in contemporary Western video games with similar graphics, such as in Bioware RPG games (Mass Effects, Dragon Ages) which regularly feature "romance" storylines that climax in a cutscene of two virtual dolls glaring at each other for a few seconds, with cold unfeeling eyes devoid of human warmth, before tastefully fading to black. (My game hides your partner's face as much as possible.)
These kinds of representations are dangerous more for their structural properties: players understand these romances as puzzles to be solved where sex is the reward -- and the idea that sex is a puzzle reward feeds directly into a pick-up artist (PUA) culture built on manipulation and perceived entitlement to bodies. This is essentially the "kindness coins" critique, that the logic of training players to expect sex, based on a series of so-called strategic actions, is super gross and perpetuates damaging ways of thinking about relationships.
Instead, sex must be more than a node, it should be simulated as a complex system in itself. Sex must not be some sort of reward or foregone conclusion. What if we represented sex in games as an on-going process? What if we actually did sex?
Several games have explored this already: