Zobeide at Lunarcade Sydney, August 3-9

Zobeide will have its public debut in Lunarcade at Serial Space, running from August 3rd - 9th. The Facebook thing is here if you're into that. Here's the scoop:

Exploration is a universal subtext in games. The ‘fog of war’ and line of sight are emblematic tropes of exploration as well as a persistent motif of video games – almost every game involves the implicit mapping of uncharted virtual or representational territory. However, interpreting exploration has a second approach: we can explore uncharted, artificial territory within a game as well as explore the meaning of a work as situated within the real world – we can explore the video game itself as an artifact for the communication of meaning.

Bientôt l’été – Tale of Tales
Dear Esther – Dan Pinchbeck
J.S. Joust – Die Gute Fabrik
Lifeless Planet – Stage 2 Studios
Memory of a Broken Dimension – XRA
Thirty Flights of Loving – Brendon Chung
TRIP – Axel Shokk
Zobeide – Robert Yang

Opening: August 3rd, 6 – 9 pm
Exhibition Hours: August 4th & 5th, 12 – 6 pm, August 6th-9th, 12 – 8 pm
J.S. Joust events – daily at 7 PM

I'm also really honored to be mentioned in the same breath as some of these fantastic games and designers! Unfortunately, I won't be able to make it to the opening -- I'll likely be locked inside my Brooklyn apartment, frantically putting together my GDC Europe talk together at the last minute -- but have a blast and enjoy some JS Joust, Australians!

Also: Thirty Flights of Loving is one of the most important games made in the last decade, so make sure you play it at some point.

Also: LONG LIVE NARRATIVE, DEATH TO "MECHANICS" AND "GAMEPLAY"! BURN IT ALL!

Return to Zobeide.

To tell the truth, I had kind of forgotten about Zobeide. My Twine / Unity interface experiment, instead of being my own version of Unmanned's interface, was strange and broken. People kept forgetting the text was there. But after conferring with some interactive fiction people at No Show -- where one had an interpretation of the game that made it sound much more fascinating than it really was -- I think I know what to do with this.

Expect another announcement in a few days (or weeks?)...

How to integrate Unity and Twine.

EDIT, 16 May 2013: Unity has changed their Browser to Web Player communications, but just a little. Basically, you don't use "getObjectById()" anymore, you just use "getUnity()" to get a reference to the web player -- more details here.

*****

Okay, I'm one of those people who thinks the problem with interactive fiction is that it's not sexy enough. However, I think IF, as a mode of interaction, is extremely powerful and is quite possibly light years ahead of whatever we're doing with narrative / meaning in the latest 3D whiz-bang video games.

Then one day I realized -- I could combine the CYOA tool Twine with the web player export of Unity, and the two could possibly hook into each other through Javascript. Turns out, they can.

Unfortunately, the project I used it for -- well, it didn't really work out -- but maybe someone else can use it?

The Unity Web Player has a useful method Application.ExternalCall() that can call Javascript methods on the web page. Similarly, you can call SendMessage() from a page script to call a method on a specific GameObject and even pass strings into Unity. That's the gist. If you need more help / my code snippets, a more detailed guide is here:

The shape of crime and escape.

From "Payday: The Heist"

I went to another BLDGBLOG / Studio-X event: "Breaking Out Breaking In." This time, it was a panel with FBI agents, crime experts, and architects, all focusing on heists: what does it mean to break into a bank and how should we approach bank design?

As I sat there, I pondered a much, much, much more important question: how does it affect the ways we design video games and levels about heists. How should we abstract the heist?

On Planet Phillip entering hibernation.

I've never really agreed with his attitude / his community's general attitude towards art and level design, but I always deeply respected Phillip's mission to exist as a hub for single player Half-Life 2 maps and mods. I'm sure it took a lot of work to keep the community running and to keep putting up new content, and I guess it was finally encroaching too much on his personal life and other projects -- so now it seems that Planet Phillip is going into a sort of hibernation.

Thanks for existing for all these years, Mr. Marlowe.

Well, I predict you're actually going to come out of retirement soon, if only briefly, within the next few months. Some little birdies have been chattering about a certain improbable mod approaching completion...

Four Keys, by Andrew Yoder

Four Keys is a short single player UDK-powered puzzle thing by Andrew "Mclogenog" Yoder. (Mild spoilers after the jump...)

"A People's History of the First Person Shooter" at the No Show Conference at MIT.

If you'll be in the Boston area, come see me (and a bunch of smart people) talk about games at the No Show Conference running from July 14th to July 15th at MIT. Hopefully there'll be some kind of livestream or webcast thing available. I'll fill you in on those details when I get them.

My talk is called "A People's History of the First Person Shooter."

Now, I love stuff like 7DFPS, but I disagree with some of the reasoning behind it -- that the FPS genre, in particular, is creatively dead and requires an injection of indie ingenuity. That's wrong; indies have been working in the FPS space for nearly as long as the FPS genre has existed, and continue to make amazing innovative work.

It just plays into the fact that the popular history of the genre is largely a company history, written by the big winners.

My goal is to outline an alternate narrative of game developer history, to talk about the need and methodology for a game developer history, and to explicate some currents of thought running through the cutting edge of first person design in the indie scene.

(If you're in the New York City area instead, I highly recommend attending the annual Come Out and Play festival and the annual NYC MP3 Experiment, both at Governor's Island this coming weekend.)

Rule Databases for Contextual Narrative... and spelling bees.

Valve's Elan Ruskin gave a fantastic talk at GDC 2012 on using "Rule Databases for Contextual Dialog and Game Logic" -- basically, the implementation behind the dialogue response system in Source games, most recently used in Left 4 Dead 2 and DOTA 2. I'm surprised more people haven't picked up on it because I think it presents some really effective research on procedural narrative systems.

A lot of game logic / narrative resembles a flowchart, especially with the advent of visual scripting systems like Unreal's Kismet or Twine -- resulting in this deeply entrenched concept of branching structure. Authoring and changing these individual branches is usually very expensive.