Yang, on the other hand, crafts characters that are so perfectly imperfect as to fall square into the uncanny valley, that space where the more realistic an animated character or robot looks, the more those slight imperfections stand out. Yang’s men are disturbing in their uncanniness. Visually, his games explore the visual depths of uncanny male bodies that other video games deliberately avoid. There’s the slight gut and unshaved snail-trail on the naked character in front of his bathroom mirror in Cobra Club. There’s the way the character of Stick Shift bites his bottom lip and lets his eyes roll back as he moves up his car’s shaft and through his car’s gears. It makes the games unsettling, uncomfortable, and disturbing on a very visceral and intimate level. It makes the games sexual without necessarily being sexy.Read the full essay here. Thanks for the thoughtful words, Bren-Bren!
Thursday, June 25, 2015
Brendan Keogh did a lovely write-up of my recent work for Reverse Shot, an online magazine at the Museum of the Moving Image.