CFP: Queerness and Games Conference 2018 at Concordia University in Montréal

photo of Tanya DePass speaking at QGCon 2017

The Queerness and Games Conference (or QGCon) is running again in 2018, this time in beautifully affordable Montréal. Here's the call for papers, panels, and talk submissions, copy and pasted from the website, emphasis added by me:

The Queerness and Games Conference is now accepting submissions for presentations at its fifth annual conference, which will be held on September 29-30, 2018 at Concordia University in Montréal, Canada! Proposals for conference talks and other sessions are due March 1st, 2018 (details and instructions below).

QGCon is an annual event that brings together developers, academics, educators, and activists to explore the intersection of LGBTQ issues and video games. Proposals for talks, pre-constituted panels, workshops, roundtables, and post mortems are welcome. Speakers from all backgrounds are encouraged to submit. Because QGCon is a community-oriented event that seeks to foster dialogue across areas of expertise, we especially value sessions that engage a broad and diverse audience. Please note that, since QGCon attendees come from across academia, industry, and beyond, different speakers may bring different ideas about what constitutes a “talk” or a “panel.” QGCon values these differences and kindly requests that, as per the submission guidelines below, prospective speakers describe the approach they hope to take to their proposed session.

LEVEL WITH ME, Winter / Spring 2018 schedule: Tuesdays 2 PM EST

I've completed my winter hibernation and I'm gearing up for a new season of Level With Me, my livestream show where I play video games and talk about what I think the level design is doing.

Since I work as a teacher and I get a different schedule each semester, I have to change my broadcasting schedule every few months. Now for this first half of 2018, the new time will be Tuesdays, at around 1 or 2 PM EST (GMT-5). (Sometimes I start late.)

If you can't make it for the live broadcasts, then you can always check out the YouTube archive over here.

Before the hiatus last year, we were a few hours into BioShock 1. In the game, we had just gotten a shiny new camera, and we were taking fun photos of bloodthirsty monsters. My current plans are to try to get as far as Fort Frolic at least, and then re-assess my interest in continuing. See you soon!

"Coast Guide" for PC Gamer UK 0310

cover of PCGUK 310

A while ago I wrote about the process of importing Half-Life 2 levels into Maya -- but I didn't divulge why I was doing that work: because PC Gamer UK commissioned a design analysis feature from me, to complement their big Half-Life 2 retrospective / Black Mesa feature for their November 2017 issue (PCGUK 0310). (Thanks to editor Phil Savage for the opportunity.)

At the top of this post, you can see the "blank" overview map of Half-Life 2's d2_coast03. That's basically what I submitted to them for publication, along with some accompanying box-out text and images for their layout artists to use. Stylistically, it's similar to what I previously did for a PC Gamer UK retrospective on Half-Life 1, when I diagrammed the Black Mesa Inbound chapter and the "shark cage" setpiece in the Apprehension chapter.

But for this new illustration, I wanted to be more accurate and import the actual level geometry as a base. It ended up being rather time consuming to do all the test renders in Maya and iterate to that finished state, especially since I'm not used to working in a pre-rendered mode. I also didn't really know what kind of look I wanted? I knew I was partial to a sort of digital papercraft look, but I also struggled with keeping everything readable.

In print, the whole thing looked a little bit like this:

Resolutions, 2018

In keeping with tradition, here's some resolutions that I resolve to uphold for this new year...

• Keep blogging for 2018, at about the same rate as 2017?
• Don't die from all the travelling I'll be doing in 2018.
• Finish and release three projects: Radiator 3, MachoCam, and Medusa.
• Update some of my technical dev skills: get proficient with Unreal Engine 4, learn about compute shaders
• Update some of my game art skills: do some more sculpting, get better with Substance Painter and Substance Designer

Sure, the new year is an arbitrary passage of time that has no real significance -- but that doesn't mean it's not fun to re-assess and wonder about where you're at.

Postcards from Unreal, pt 2

My Unreal Tournament 4 deathmatch map "Pilsner" isn't really done. But as an exploratory project, I've fulfilled my goals to learn the basics of building 3D spaces in Unreal. I also reached the point where I needed an actual player base to confirm how the map plays, or at least tell me that it's total shit -- but it looks like I can't even get a denunciation when Unreal Tournament 4 seems to have a grand total of like 5 players!

I appreciate all the pre-configured art content and basic gameplay structures implemented in the game already, and it has been really helpful for me to learn how to configure my assets and work in Unreal projects -- but this experience has also convinced me that I shouldn't try to teach level design to my students with this half-finished basically-dead game.

It was also questionable how well this was going to run on our students' laptops, because half of them use Macbooks with small hard drives, and very little room for a Windows partition and an additional 50 GB for UT4 and the UT4 editor. This leads me to one of the original reasons why we stopped running a level design course: there are simply no popular first person multiplayer games with modern level editor suites that were easily deployable on our students' computers. (Given how long it takes to make games, computer labs are impractical.)

"Level Design Workshop: How to Light a Level" at GDC 2018

Hey there. I'll be returning to GDC in 2018 with a talk called "How to Light a Level"... Here's the blurb:

Lighting is traditionally one of the most computationally expensive parts of game rendering, as well as one of the most crucial design tools for setting mood and readability in a game world. And yet, level designers and environment artists often lack the language and theory to collaborate effectively on lighting design. What does light do for games, and how can developers use lighting to facilitate certain experience goals for games? This session begins with a brief cultural history of lighting, before moving on to an overview of practical lighting design theory as well as various case studies.

I'll be presenting alongside many other amazing folks as part of the Level Design Workshop, run by Joel Burgess, Matthias Worch, Clint Hocking, and Lisa Brown.

This year, the roster includes:

• "Designing for Non-Linear Story Discovery in 'Tacoma'" with Steve Gaynor and Nina Freeman (Fullbright Company)
• "The Holy Grail of Multiplayer Level Design: Maps for Casual and Competitive Play" with Andrew Yoder (Hi-Rez Studios)
• "Invisible Intuition: Player Guidance from Blockmesh to Final Level Design" with David Shaver (Naughty Dog)
• "Procedural Regeneration: Matching the World to the Player" with Heather Robertson (Heather Flowers)
• "Reimagining Level Design for 'God of War'" with Rob Davis (Sony)

We're basically a "tutorial" mini-track that, I believe, will run all-day on Tuesday. Traditionally, we also do portfolio reviews during the lunch break. If you'll be around, come check us out. (And if you won't be at GDC this year: it's fun, but don't worry, you really aren't missing that much.)

LEVEL WITH ME will return in January 2018

Hey viewers -- sorry if you're waiting for the next installment of Level With Me. You're going to have to wait for a while, since I'm on holiday / traveling, and lugging around my streaming setup is going to be impractical. But we'll be returning in January 2018 on a new day and time, so watch out for that.

In the meantime, I encourage you to check out the entire Level With Me archive on YouTube if you still need your regular dose of lighting complaints and texturing nitpicks.

Be good, and see you next year!

Radiator Blog: Eighth (8th!) Year Anniversary

As is the holiday tradition in December, teenagers throughout the world have gathered around their radiators to critique environment textures and be wantonly gay, in flamboyant celebration of the anniversary of the Radiator Blog's founding. This year, the blog turns 8 years old!

For 2017, I resolved to blog more... and I ended up with 72 posts, which is double the amount of 2016's posts (a mere 36). Compared to social media like Twitter, I've always thought of blogging as a more "formal", slower platform. But to keep up the pace this year, I had to relax my attitudes and write more freely, which I think was ultimately a positive thing.

(You can check out past years' anniversary round-ups here.)

Now let us gather around the radiator, and review the past year's "greatest hits" along with some commentary...